I've had a few people request a written version of my tune Adventures of Superball . So, for those who are interested, you can download a copy here . There are two versions one for guitar and one for mandolin. This tune is on my latest CD, Open Spaces . You can purchase the track, Adventures of Superball and the rest of the CD below. Have fun with it!
I'm excited to tell everyone about my new instructional book, Get a Grip: Drop 2 Voicings for Guitar . If you're looking to gain a deeper understanding of chords and increase your chord vocabulary this book can help. The first section of the book presents the theory behind the Drop 2 concept along with several diagrams for 7th, 9th, and 13th chords. The second section applies the theory by presenting several ways to voice the chords to the jazz standard All of Me . Topics covered: Drop 2 Voicings Voice Leading Chord diagrams on multiple string groups 9th and 13th chords Multiple voicing options for the jazz standard All of Me The book is available as an instant download. This ebook is a pdf, so you will need the Adobe Reader or any other pdf viewer. Price: $10.00 view sample
Learning triads and their inversions is a must for all guitarists, regardless of stylistic interests. In our rush to play our favorite songs we often skip directly to larger chord forms and harmonic structures instead of gaining a solid foundation in basic chord structure and harmony. It's not until later, however, we get a sense that a piece of the harmonic puzzle is missing from our chord vocabulary. If any or all of this sounds familiar read on! In this post we'll look at the major triad and inversions in closed position. The Major Triad The major triad is a three note chord built by taking the first, third, and fifth notes of the major scale and stacking them on top of each other. (If you are unsure as to how to create the major scale view this post on major scale construction.) I will refer to the notes of the chord by number. Therefore, the major triad has the formula [1 3 5]. By looking at the chord tones as numbers the triad is no longer root specific. The formu...
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